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Due to its many topics suddenly feeling eerily familiar, it earned the nickname of “the” corona project. With the premiere planned for spring 2022, Rubikon seems to be coming together just at the right time. We were lucky, because in Austria people try to fund films that are different right now.” Even my cinematographers were impressed by the size of our set, but if it’s done smartly, you don’t need a big budget. Luckily, my set designer Johannes Mücke has worked there and he is the craziest creative mind I know he is really an artist. “We always compete with Hollywood, so once you do a space shot, it needs to hold up. While her film won’t be all about the special effects, Lauritsch still wanted to make sure that the ones that make it into the story will stand up to scrutiny. When they are really upset, they switch to their mother tongues.”
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People speak English on all space stations, it’s just how it is, but I wanted to play with different accents. In that sense, our main character isn’t really Austrian. Imagine if Apple, McDonalds and Amazon would suddenly take over. The part of the dystopia that we are creating is that the world isn’t really about countries anymore – it’s run by companies. “The whole story plays out on that space station: that’s it. “It’s a contained drama,” says Lauritsch about her English-language project. Until they are suddenly left by themselves, with nothing but claustrophobia for company. Set in the relatively near future, in 2056, the film – produced by Samsara Fimproduktion – will see company employee Hannah and scientists Gavin and Dimitri ( Julia Franz Richter, Georg Blagden and Mark Ivanir) busy on the Rubikon space station, researching what could ultimately help all humanity.